Live Records provide an authenticity that is impossible to achieve in a sound studio. While listening to the song’s songs, you may hear the audience clapping and the band interacting with their followers. Being able to connect with other music lovers while experiencing your favorite songs live is an intoxicating feeling. They’ll want to enjoy the live event environment in the convenience of their own homes because so many people like concerts. Live albums and concert recordings also fit under this category.
You will have a PA system at each and every show you do. This might be straightforward or intricate, and generally speaking, the method works best in larger venues. Recording the two-track feeds coming from the soundboard is the simplest approach to capturing a high-quality recording of your live performance.
Every soundboard has a two-track out on the rear. It’s simple; a stereo feed is typically unnecessary in small spaces, and the actual PA occasionally has mono wiring. Requesting the sound engineer to compose the performance in stereo even though the PA is mono is not a difficult request if you are recording.
Recording with microphones
Plug the recorders into a stage-mounted microphone. Get a unidirectional microphone and position it close to the middle of the stage if you’re only using one microphone. It records sound in all directions if it is omnidirectional. For greater sound quality, numerous microphones are typically used in recordings.
Try mounting an omnidirectional microphone on each side of the stage, if you can. Cardioid and shotgun microphones both capture noise coming from a single angle. Another choice is to use a different microphone for every instrument, but this quickly adds up in cost and requires a lot of room. If possible, attach the microphones to an interview format with numerous inputs.
Use of matrix tape
The term “matrix tape” is frequently used to refer to a tape that has studio and crowd microphones mixed together, but this term is technically a misnomer. A matrix tape is created from a recording produced using a mixing board’s matrix section.
The term “mixing matrix” refers to the space on a large mixing console where multiple audio mixes can be bussed together along with different sources. the matrix area for mixing a soundboard mix with an audience microphone. A matrix section can be used to internally mix the crowd microphone into the mix or to simply bus instruments that were not in the home mix to that matrix out.
Filming with a camera or phone
Choose a location that offers a good vantage point on the stage. The best spot to be if you have permission to shoot the concert is typically at the stage’s base. Many locations will allow a little amount of room between the audience and the stage. In order to acquire a wider range of viewpoints, you might also want to set up some cameras all along the sides of the stage.
You could even walk around the stage with a camera, but make sure the artists are aware of your plans. Find a spot distant from other spectators if you’re one of them. Be sure to look around the speakers, handicapped spaces, and the sound engineer’s control booth. If you can, approach the stage up close. Arrive early at the location to choose suitable filming locations. Attending a different concert might be a good idea.